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This product uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.
Joe Bob welcomes himself back, and then he discusses the careers of Chuck Connors and other cast and crew members of Tourist Trap (1979).
Joe Bob goes on a tangent about the transgender bathroom scandal before conversing with Felissa Rose, the vivacious star of Sleepaway Camp (1983).
Joe Bob delves into the forgotten history of 1970s pornography when he hosts the first mainstream film starring Marilyn Chambers, David Cronenberg's Rabid (1977).
Joe Bob gripes about people fiddling with their phones, and then he criticizes the dull senselessness of The Prowler (1981), but heavily praises Tom Savini for his work on the film.
Joe Bob's discusses Sorority Babes in the Slimeball Bowl-O-Rama (1988) and devolves into a prolonged rant about the lack of awareness of the Los Angeles mass transit system.
Joe Bob digresses into rhetoric about gluten before giving a geography lesson and discussing Daughters of Darkness (1971).
Joe Bob shares an in-depth history of the career of Herschell Gordon Lewis and the making of Blood Feast (1963).
Joe Bob discusses the making of Basket Case (1982), as well as his personal involvement with the original release of the film.
Joe Bob gives a lecture on the human brain before hosting the cult favorite Re-Animator (1985).
Joe Bob jumps right into his introduction for Demons (1985), though he veers into a dystopian tirade before trying to sort out the complex history of the notoriously grisly Italian import and its sequels.
Joe Bob discusses his days in the Boy Scouts, and then he's joined by author/actor/musician/cryptozoologist Lyle Blackburn to discuss The Legend of Boggy Creek (1972) and perform an impromptu sing-along.
Joe Bob has a convoluted argument with himself over the meaning of the phrase "take a knee" before spouting off a slew of trivia about Hellraiser
Joe Bob pays tribute to horror host John Zacherle and tells the story of how he nearly lost his job over a review of the 1982 slasher "Pieces," which he then proceeds to emcee.
